Nobody who has paid any attention to the peculiar features of our present era will doubt for a moment that we are living at a period of most wonderful transition which tends rapidly to the accomplishment that great end to which, indeed, all history points—the realization of the unity of mankind. …The distances which separated the different nations and parts of the globe are rapidly vanishing before the achievements of modern invention, and we can traverse them with incredible ease; the languages of all nations are known, and their acquirement placed within the reach of everybody; thought is communicated with the rapidity and even by the power of lightning… The knowledge acquired becomes at once the property of all of the community at large… no sooner is a discovery or invention made, than it is already improved upon and surpassed by competing efforts: the products of all quarters of the globe are placed at our disposal, and we have only to choose which is the best and the cheapest for our purposes, and the powers of production are entrusted to the stimulus of competition and capital. …Science discovers these laws of power, motion and transformation; industry applies them to raw matter which the earth yields us in abundance, but which becomes valuable only by knowledge.

Nobody who has paid any attention to the peculiar features of our present era will doubt for a moment that we are living at a period of most wonderful transition which tends rapidly to the accomplishment that great end to which, indeed, all history points—the realization of the unity of mankind. …The distances which separated […]

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by Suhel Ahmad | Last Updated on June 30, 2020 | Created on June 30, 2020

The works of art, by being publicly exhibited and offered for sale, are becoming articles of trade, following as such the unreasoning laws of markets and fashion; and public and even private patronage is swayed by their tyrannical influence.

The works of art, by being publicly exhibited and offered for sale, are becoming articles of trade, following as such the unreasoning laws of markets and fashion; and public and even private patronage is swayed by their tyrannical influence.

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by Suhel Ahmad | Last Updated on June 30, 2020 | Created on June 30, 2020

The German artist [Albers was from German origine] whose lifelong exploration of shape and color theories influenced a generation of artists and challenged audiences worldwide in addition of being one of the leading artists of the 20th century.

The German artist [Albers was from German origine] whose lifelong exploration of shape and color theories influenced a generation of artists and challenged audiences worldwide in addition of being one of the leading artists of the 20th century.

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by Suhel Ahmad | Last Updated on June 30, 2020 | Created on June 30, 2020

When asked later in life about his working methods for the [‘Homage to the ‘Square’ paintings, Albers would often explain that he always began with the center square because his father, who, among other things, painted houses, had instructed him as a young man that when you paint a door you start in the middle and work outwards. [Albers:] ‘That way you catch the drips, and don’t get your cuffs dirty’.

When asked later in life about his working methods for the [‘Homage to the ‘Square’ paintings, Albers would often explain that he always began with the center square because his father, who, among other things, painted houses, had instructed him as a young man that when you paint a door you start in the middle […]

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by Suhel Ahmad | Last Updated on June 30, 2020 | Created on June 30, 2020

[Josef] Albers’ rule is to make order. As for me, I consider myself successful when I do something that resembles the lack of order I sense.

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by Suhel Ahmad | Last Updated on June 30, 2020 | Created on June 30, 2020

It is my own personal psychosis that it is only by the background that you can see what is in front of you. Only be accepting all that surrounds you can you be totally self-visualized. And at the same time, your self-visualization is a reflection of your surroundings. Albers was right about that.

It is my own personal psychosis that it is only by the background that you can see what is in front of you. Only be accepting all that surrounds you can you be totally self-visualized. And at the same time, your self-visualization is a reflection of your surroundings. Albers was right about that.

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by Suhel Ahmad | Last Updated on June 30, 2020 | Created on June 30, 2020

I don’t think he [Joseph Albers] ever realized that it was his discipline that I came for [on Black Mountain College, were Josef Albers was then a leading teacher]. Besides, my response to what I learned from him was just the opposite of what he intended.. .I was very hesitant about arbitrarily designing forms and selecting colors that would achieve some predetermined result, because I didn’t have any ideas to support that sort of thing – I didn’t want color to serve me, in other words.

I don’t think he [Joseph Albers] ever realized that it was his discipline that I came for [on Black Mountain College, were Josef Albers was then a leading teacher]. Besides, my response to what I learned from him was just the opposite of what he intended.. .I was very hesitant about arbitrarily designing forms and […]

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by Suhel Ahmad | Last Updated on June 30, 2020 | Created on June 30, 2020

[Josef] Albers was a beautiful teacher [at the Black Mountain college ] and an impossible person. He wasn’t easy to talk to, and I found his criticism so excruciating and so devastating that I never asked for it. Years later, though, I’m still learning what he taught me, because what he taught me had to do with the entire visual world. He didn’t teach you how to ‘do painting’. The focus was always on your personal sense of looking.. .I consider Albers the most important teacher I’ve ever had, and I’m sure that he considers me one of his poorest students.

[Josef] Albers was a beautiful teacher [at the Black Mountain college ] and an impossible person. He wasn’t easy to talk to, and I found his criticism so excruciating and so devastating that I never asked for it. Years later, though, I’m still learning what he taught me, because what he taught me had to […]

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by Suhel Ahmad | Last Updated on June 30, 2020 | Created on June 30, 2020

But I’ve noticed something with other artists who do use the whole range of forms of colours and black – in Albers, for instance, who experiments with yellow, red, blue, the whole scale. Of course I love his colour paintings, but when I see a black-and-white such as ‘The Homage to a Black and White Square’ [Josef Albers painted large series with this title], I like that best, you know. I think it has something to do with deciding just exactly what you really like best. There is always that wonderful element of doubt.

But I’ve noticed something with other artists who do use the whole range of forms of colours and black – in Albers, for instance, who experiments with yellow, red, blue, the whole scale. Of course I love his colour paintings, but when I see a black-and-white such as ‘The Homage to a Black and White […]

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by Suhel Ahmad | Last Updated on June 30, 2020 | Created on June 30, 2020

I have taught – until 10 years ago – for nearly 40 years, that is almost half of my life. And when I think that over – now afterwards -, I come to a surprising conclusion, namely that I did not teach arts as such, but philosophy and psychology of art.

I have taught – until 10 years ago – for nearly 40 years, that is almost half of my life. And when I think that over – now afterwards -, I come to a surprising conclusion, namely that I did not teach arts as such, but philosophy and psychology of art.

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by Suhel Ahmad | Last Updated on June 30, 2020 | Created on June 30, 2020